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Richard Galliano - accordion, bandoneon
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Wednesday 18 April 8:00 pm Concert Hall, Hong Kong City Hall 香港大會堂 , 音樂廳 Tickets 票價 $350, $240, $120 . 優惠票價 : $100, $200, $280 只提供给全日制學生、長者、殘疾人士、 香港爵士樂會會員及香港法國文化恊會優惠 卡持有人 Co-presented by: This performance is presented under the Rental Subsidy Scheme of the Leisure and Culture Services Department 本節目按康樂及文化事務署場租資助計劃予以補助 |
Richard Galliano
“Richard Galliano changed the history of the accordion: today we can speak of 'before' and ‘after' Galliano."
(Yasuhiro Kobayashi - Japanese accordionist, Björk 's accompanist).
Galliano was born in 1950 in Cannes, started playing accordion at 4 then took up lessons on the trombone, harmony and counterpoint at the Academy of Music in Nice. At 14, he began listening to jazz and discovered Clifford Brown, which opened his mind to a different world.
After years of study and apprenticeship, in 1973, he went to Paris and quickly contact with the famous singer Claude Nougaro, and worked three years as conductor, arranger and composer with that orchestra. In an important meeting with the great Astor Piazzolla took place in 1983, and with his guidance, Galliano went back to is his root and starts creating his own style of music.
Richard Galliano, direct heir to Astor Piazzolla, interprets, composes and orchestrates music which seems to casually mix reminiscences of swing, marked echoes of tango, French bistro waltzes, Bill Evans ballads, Keith Jarrett improvisations and the Afro-American lessons of Charlie Parker and John Coltrane, all this performed with a pleasing chromatic taste which goes back to best French tradition from Couperin to Debussy and above all to Ravel.
“ 格里 安諾 改寫了手風琴的歷史，” ── 小林靖宏 – 日籍手風琴手， Björk 之伴奏樂手
里察‧格里安諾 於 1950 年在法國康城出生，自四歲始習手風琴，其後在尼斯音樂學院修讀樂理及吹奏伸縮小號。14歲時首次聽到小號手 Clifford Brown 的吹奏及初嘗爵士樂的滋味，從此他的音樂世界便廣濶無彊。1973 年往巴黎發展時有幸被名歌手 Claude Nougaro 聘任為他的管 弦 樂團的音樂總監，為其職業生涯掀開精采的一頁。但改變他一生的時刻，卻是在 80 年和偉大音樂家皮亞佐拉之會面，自此兩人成為莫逆之交外， 格里安諾更得其啓發，拼棄盲目摸索，一直往根源追溯而得以自創一格。
自從格里安諾得到皮亞佐拉的真傳後，無論是作曲、 编 曲、 改编或演 譯手法，他均可輕描淡寫地把搖擺、探戈 、法式華爾滋、 Bill Evans 的浪漫、 Keith Jarrett 式的即興，及 Charlie Parker 和 John Coltrane 相傳下來的非洲文化融匯貫通並 演奏出來。而其中更不難找到如 Couperin 、 Debussy 及 Ravel 這些具優秀法國傳統的情調。
自出道至今，格里安諾曾經和無數 樂手合作過， 其中包括 ： Chet Baker, Ron Carter, Joe Zawinul, Al Foster, Pierre Michelot, Biréli Lagrène, Jean-François Jenny-Clark, Eddy Louiss, Philip Catherine, Charlie Haden, Michel Portal, Michel Petrucciani, Enrico Rava, Toots Thielemans, Gilberto Gil, Jan Garbarek, Richard Bona, Ivan Paduart, Paolo Fresu, Stefano Bollani, Paquito d'Rivera 等。
Jim Todd / All Music Guide
“Its transformation in the hands of the Galliano Septet is so profound and personal that it acquires a wholly new character through the multiple layers of polyphonic firepower… This is music that commands the listener to indulge. It is a dense, heavy, and heady spread that will sustain and nourish those who abandon themselves to its riche”
“( 皮亞佐拉 的音樂 ) 在格里安諾七重奏手上重生，是這 麽淵博深厚和個人的 造詣 高超 、別樹一格 ，其以豐富的音韻變化，火喉十足，孕育出全新的風格 ……… 這種令聽眾情不自禁地去縱情放任的音韻，充滿激情而又令人陶醉不已，即使是外行人 / 門外漢，都會被他深深吸引 ”